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Sound Design
Analog Sensibilities, Digital Realities, Part 1
The Advantages of Hybrid Tracking and Mixing
By PETE MARRIOTT, BRANDONF42088, and AMIR SAID (SA'ID)…
BeatTips MusicStudy: Talking Heads – “Once In A Lifetime;” Rhythms In Motion
Brian Eno's Rhythmic Genius—by way of Fela Kuti— Produces Talking Heads' Most Enigmatic Song
By AMIR SAID…
“If I Can’t” Gets Cue From Sampling
Hard Hitting No-Samples-Featured Beat by Dr. Dre and Mike Elizondo Follows Sampling's Lead
By AMIR SAID…
Chris Athens Breaks Down Mastering, Part 2
Sterling Sound's Senior Mastering Engineer Drops Jewels; Mastering Still a Worthy Step in the Recording…
Chris Athens Breaks Down Mastering, Part 1
Sterling Sound's Senior Mastering Engineer Drops Jewels; Mastering Still a Worthy Step in the Recording…
BeatTips MusicStudy: Evelyn “Champagne” King – “Love Come Down”
Personification of the polished, post-disco sound of 1980s R&B
By AMIR SAID (SA'ID)
Whether you're…
Cool & Dre Keep It Fundamental on “Shake”
Game's Song Takes Old Turn; Cool & Dre Make Effective Composition with Return to and Highlight of the…
Treating Your Samples Before the Mix Stage
Prior to the Mix, Amplification is Key
By AMIR SAID (SA'ID)
When it comes to treating your sampled sounds…
Using Time-Stretch with Samples
Time Stretching Might Help with Timing, But Not Always Good for the Sound; Tempo Modification an…
Using the Alternating Pitch Technique on Drum Sounds
Technique Adds Unique Dimension to Your Drum Frameworks
By AMIR SAID (SA'ID)
Even though "the drums" are…