A Reminder to Incorporate Feeling
|By AMIR SAID (SA’ID)|
“Soulsville,” from the movie Shaft. That’s my favorite Isaac Hayes joint. The scene in Shaft where this song plays is so appropriate. The images—which are certainly no Hollywood props, but instead, real glimpses of early 1970s impoverished Harlem—are heartbreaking and encouraging at the very same time. And what makes this montage rise and resonate is Hayes’ “Soulsivlle.”
“Soulsville,” an incredibly poignant song, teeming with depth and force,
is one of the songs that has had the most effect on the ways in which I strive to underscore my music with feeling. The collective (often meticulous) processes of making beats can lead a beatmaker to create music that’s audibly pleasing, yet devoid of feeling. And so to guard against this pitfall, I’m mindful of giving every beat that I make a “soul.” In fact, I embrace the notion that every piece of music that I create is, in some way, an extension of me. Therefore, every sound that I craft and/or use, even down to the most truncated hi-hat, must fit within my own style and preferred audio composite. For when I do so, I know that I am indeed injecting soul and genuine feeling into my music.
The music video below is presented here for the purpose of scholarship.
Isaac Hayes – “Soulsville”Articles, Beatmaking Themes, Theories, and Concepts, BeatTips MusicStudy, Isaac Hayes, MusicStudy, Source Material